Archive for the ‘hybrid independent film distribution’ Category

Not screening in a Theatre? No problem…

Friday, May 28th, 2010

We are at a stage in the distribution of Abraham’s Children were we hold grass-roots semi-theatrical screenings.   What that means is we go to non-traditional venues, like school auditoriums and class rooms, mosques, meeting halls and living rooms to show the film.   Last weekend I had the good fortune to show Abraham’s Children twice myself.  Once at a high school auditorium and once in a 1-12K private school whose auditorium also functions as a prayer room.

Early on, Caitlin Boyle of Film Sprout had warned a bunch of us filmmakers at her (awesome) workshop on grass roots distribution outreach for social change documentaries, to let go of having the film screened in a ‘perfect’ setting.   I took that to mean, that the film might be shown in 4:3 format rather than the intended 16:9 (widescreen) or that the sound was not going to be perfect, etc.  I also assumed that I would not be there to have to witness it.

SO: on Friday and Saturday I made sure we had it all set up perfectly – right aspect ratio, sound as balanced as possible with the sound system available, room darkened, temperature right, etc.    Friday:  perfect!  Saturday? Not so.   For reasons beyond my control it was decided stop the film after it was only about 80% done.  Whaat?

Reason being, they had simply run out of time and needed the room for something else.   I was dumb folded.  Why invite me to attend?  Why go through the trouble of holding a screening of a film whose length is known?  Why schedule a speech and Q&A session with the director?  The Q&A turned into a discussion in the hallway with a few interested parties and I was back at my car before I knew it.   It was a bizarre experience and something tells me: not the last.

Moral of the story: you can only control so much and then you have to let go.  You where right, Caitlin (and Mom). 

All I can say: donate $50, get the DVD shipped to your home and FINISH watching it!

What is your message?

Friday, April 23rd, 2010

“When does the wisdom of crowds give way to the meanness of mobs?”  (http://www.nytimes.com/2010/01/12/science/12tier.html).  

Interesting article, but really what caught my eye was the first sentence.   As I spend quite a bit of time with social networks, updating the Abraham’s Children website and blogging I sometimes feel like I’m losing sight of what I should do. 

What should I do?  These days, it’s getting a film out into the world.

Am I relying on the wisdom of crowds, or am I delivering myself to the madness of crowds? And where does “madness” start?

I’m building a brand and getting a message out – does that scream cliché or what?  It would be easiest so say: “watch my film, its awesome”.    That’s like Pepsi saying “drink Pepsi, its good”.  That’s not a brand, not a message, not a life style, nothing exciting and why should you bother?  There are millions of films out there and roughly 6,000 documentaries alone are produced in the US alone each year.   Gotta do better than that.   

What I learned in the last few months is nothing new but I never had a chance to put it into action with ONE PRODUCT (or service) in hand.   Having only one product, my film, I had no choice but to concentrate on IT – obviously.

My first instinct was to create more product.  As making another film is not practical I started thinking about merchandising.   How do you merchandise a documentary about Muslim children?  How do I pay for that?  What is the risk of money spent upfront versus potential income?  It didn’t seem worth the risk, so I ditched that idea.

Long story and many detours later I (re)-learned this:  Focus:  one message, one goal, one product.  If you manage to get that one message over right; minds open, opportunities arise and people HEAR you.  Once you’re there – you can go back (gingerly) to being your enthusiastic supporter of your own film with ideas to boot.    

Once you have your message and your product all primped and ready – then you can unleash the crowds – because now you know where you are going and what your vehicle is.  You still will possibly lose yourself in one mad crowd or the other – be it virtual, real or imagined.  But at least your message is always the same and your product has integrity.

With your message straight you also have a better gauge when you are being taken over by the crowd(s).  How many hours are you spending on Twitter, Facebook and your blog, when you could be making very targeted phone calls?  

Run a test by announcing something that requires feedback, a sign up, anything where your ‘crowds’ need to act.  Do they act?  That only works if your message is on target.   Otherwise your contaminating your social media ’trials’.  

So, either you change your message to fit your crowd or you change your crowd to fit your message…  and sometimes you just bang your head against the wall – I did.

What is your message?   What is your goal?  What is the integrity of your product?

For Abraham’s Children?
→  Abraham’s Children bridges the gap between the Muslim world and the West.
→  Our goal is to get Abraham’s Children into as many classrooms as possible in America.
→  Abraham’s Children is beautifully produced, wholesome and its modular set up is ideal for a learning environment.

The Conversation

Sunday, March 28th, 2010

Yesterday the Conversation happened.   That is, THE CONVERSATION on Social Media, Digital Distribution and the Future of Film (Tweet: #convoNYC) at Columbia University in Manhattan.  

Organizers, Scott Kirsner (who wrote one of my all time favorite books:  Fans, Friends and Followers), Tiffany Shlain and Lance Weiler and www.workbookproject.com) put together a full day of panels and beak out meetings that kept me focused for 9 hours straight.   Really good stuff if you are an independent filmmaker and especially if you are in DIY distro mode with a documentary.

We are at a cross roads of our industry, not only as independent filmmakers but also as producers and conent-providers at large.   The web, new technology and new ways of interaction with content of any kind, audience participation, instant access  paired with very limited time resources are completely, totally and irrevocably changing how we consume media, how we engage in politics, social lives and just pretty much everything else.   The generational divide of participants and non-participants is bigger than ever and has little to do with age, and everything to do with willingness to engage and sadly for many with insufficient access to computers and the internet.

There were so many things yesterday that were of micro interest to an independent filmmaker, but the bigger picture was ever present in the back (and the front) of the room.  My head is still spinning with all the awesome possibilities that not necessarily cost much in terms of technology or bells and whistles, but do tend to take a huge amount of engagement, sic. time, sic. labor and sic. cost.

After all that, my two favorites take-aways from the day had nothing to do with being at the cutting edge in terms of knowledge or technical savvy, but just two quotes that would have been equally as pertinent 20 years ago, but do take a whole new meaning in today’s environment.

The first, attributed to one of the organizers of this amazing event, Tiffany Shlane – more precisely her father:  “If you’re not living on the edge you’re taking up too much space.”   And the other, uttered as a throw away sentence summing up the panel he participated in by Richard Lorber: “Everything is possible and nothing is working”.     Imight ad a resounding “YET” to the last quote.   On on we plod….

Film Festivals

Wednesday, March 10th, 2010

I really, really have not wanted to write this post, but it’s time.

As I think you all know by now – I’m new to film and documentary distribution game. Making the film – which at first I thought would be the challenge, was actually the easy part. Distribution is the challenge – I spare you the unprintable thoughts I have about it.

So: what I really want to say is this: film festivals suck. So, there, I said it. Oh, no – any chances of getting into one: down the drain… Actually I should say: film festival submissions suck.  If festivals actually suck I don’t know because I’ve never been at one (not as filmmaker at leat). Envious? Definitely!

The real question here of course is: “what is wrong with Abraham’s Children“? And from my ever so slightly slanted point of view I would say: “absolutely NOTHING”. My theory, why a timely, beautifully produced film with awesome talent does not get into Film Festivals is: no sex, drugs and rock’n roll. Not a sliver of it.

Abraham’s Children is littered with fun, well spoken and behaving children that happen to be Americans and happen to be Muslim. Gosh: no terrorist, not even alcohol, teen pregnancy, drugs – just normal kids. It’s a bore, I know.

But if you watch the film you might actually learn something about Islam you didn’t know (unless of course you’re Muslim, but then you’re just checking out the competition),  and you will definitely fall in love with one of the kids if not all of them, you will laugh and you will maybe even see some of yourself in one of them and be amazed at the diversity these kids bring to the screen. So give it a try.

Support the film, buy the DVD, and tell your friends on FB, Twitter and all other social networks I’m oblivious to, about it. Host a screening and get the word out that there is this little film that shows a slice of live of Muslims in America from a normal, every-day perspective. Can you do that?

NEW Fundraising tool for an educational version of "Abraham’s Children"

Sunday, February 21st, 2010

We are fundraising for an educational version of Abraham’s Children.  March 1st we are launching our website anew.  This will allow us total flexibilty with content and we are adding a few new cool features, like a donation page (hint!) and a page with downloadable PDF’s for press kits, viewer guide, photos and a ”how to host a fundraiser” document (hint!).  Check it out; comments are welcome.

What I learned – the abstract stuff continued…

Wednesday, February 17th, 2010

This is something I seem to have to learn over and over again.  I had a teacher once tell me: “if it smells fishy and looks fishy, it is fishy”.   Whenever I dismiss my gut feeling I’m in trouble.  Instinct is a fine thing, but you also need to have the guts to follow it.  Right! 

Remember that when making those quick production and slow post production and glacial distribution decisions: instinct and courage.

What I learned – distribution, part 2

Friday, February 12th, 2010

In the book “Think Outside the Box Office” by John Reiss is an entire section I have been ignoring: ”Sanity and the Future”.  The first chapter is:  “Keeping Sane”.   Last night I took that chapter to bed with me and as I read it I must have had a hundred ”AHA” moments.    As in: ”Wow, I’m not the only one who feels like she’s working into a black abyss of self-distribution” – it was like reading confessions of a “DIY-Distributor’s Anonymous” meeting. – DIYDA.

The book talks about other things the fact that creative talent hates to deal with the business side of things, but that’s not even it for me.  I’m a producer and I run small business and I actually very much enjoy the business side of things, but what drives me absolutely NUTS is the fact that everything moves at a glacial (as in when glaciers didn’t melt yet) pace.   In production decisions are made fast and you get bids, crews, equipment, answers, etc. immediately.    Now everything feels like pulling teeth – and very slowly so.  Consultant Peter Broderick gave me one good piece of advice:  don’t rush anything, take your time to decide what to do….  great advice, especially for a producer, but more than not it feels like I don’t have a choice either. 

I think a very obvious piece of advice and one I wish I would have gotten from the get go would be: your film is not like any other film and what worked for others will not necessarily work for you – sounds really straight forward, no?  Yes, and no.  There are SO MANY moving variables.  Every decision you make has ramifications for other venues of distribution and some of them demand a very strict sequence of distribution, lest you shoot yourself in the foot and have your world premiere inadvertently with a small screening in a library and the big film festival you’ve been dreaming about will now no longer consider your film.  

I would say, first and foremost:  learn who likes your film; show your film:  who loves your film, who responds to your film - how do different groups react? Are there common denominators with groups of people, e.g. educators, women, religious groups, professionals? LISTEN….

What I learned – distribution, part 1

Friday, January 22nd, 2010

Have you heard about the “new hybrid distribution model” for films?  I hear you cry.  A quick tutorial from my beginners POV:  in the olden days (like 12 months ago, ok, maybe 24 months), it seems that you finished a film, put it out to distribution companies hoping that someone would sign you.  And either you signed and then had THEM do all the work FOR YOU – for a (smallish) cut of the profits or you went into the corner without a distribution deal and cried.   The pros to this approach:  you where done with your film. The con: you where done with your film.  So far so good.

Now, if you have a narrative film I think that’s still a pretty good model, since they tend to need a theatrical or TV release.   However if you have a documentary with a social message, then maybe you want to make sure it gets seen by the right people – those who care about your topic, or even better, those who don’t - YET. Are you with me?

A few years back and with the help of the interweb, sorry I mean the internet, artists, filmmakers, producers and the like where able to reach their fans, friends and followers directly.  And all of a sudden giving away all your rights to ONE company seemed insane.  Add to that a lousy economy and a hugely risk adverse studio and distribution community and BINGO – the new hybrid distribution model.  DIY distribution (do-it-yourself – for those of you who are acronym-challenged – me included).

Today, thanks to the internet and social networking you can do it all yourself.  That is:  IF: you have the upfront money, never need to sleep, have no family and love abuse.

For now I leave you with two books that are an absolute must read if you are self-distributing or considering it:

For ANYTHING self-distributed:  “Fans, Friends & Followers”, by Scott Kirshner – very inspiring and informative.

If you are self-distributing a film:  “Think Outside the Box Office”, by Jon Reiss – very detailed and as far I can tell, timely.